By Jerry Audet
In the next installment of “Casting Cork” I figured I’d give you a little snippet of my thoughts on the hook.
Obviously the hook is important. The most important thing about it is it has to be strong enough for your application. If you’re going to throw a bigger popper, I think you need to consider saltwater grade hooks. However, if you’re making smaller poppers (like size 4 I’ve show here), you can get away with very typical freshwater stuff. In fact, using a slightly smaller hook can help in casting, further decreasing the chance of spinning, which I’ll talk about at length in the next video. I also believe a smaller hook can also help in situations where the fish may be pressured and leery of hitting an fly or artificial. When I first started using these, I lived on a highly pressured body of water, and I found using a size or two smaller hook than “typical” resulted in more strikes. So a thinner wire hook can be an asset, even though I'd rather err on the side of thicker than thinner.
Next, the hook has to be long enough that you can tie feathers (or bucktail) on to the back of the hook before it starts to bend downwards. This allows the feathers/bucktail to stick out straight behind the popper, which allows for better casting and better action (and a more realistic profile).
That's really it! Beyond that, if you’re trying to do this on the cheap like I am, it really comes down to what can you find that is the best deal! You do not need special popper hooks. I like to scour discount and closeout retailers to find hooks that will work. You might be surprised by some of the fish I’ve caught on my poppers, where the hooks cost me less than 10 cents each! In fact, for my small poppers, I like Eagle Claw hooks that cost less than a cent a piece.
Again, these are meant to be cheap and easy to make. It doesn’t have to be complicated. And, as you'll see in the coming months, the fish don't seem to care at all.
Next week look for a new installment of "Fly25" from me.
By John P. Lee
Ice fishing is good for the soul. There is something about it. The starkness of winter, the long afternoon shadows, the sound of expanding ice cracking from cove to cove. I think it’s good for the mind to stand above the fish and drill holes and set tilts. It’s more trapping than fishing, more like setting lobster pots than casting plugs. This mindset is not for everyone, spreading out your tilts over a wide area, covering ground. But it is not passive, the drilling and moving, the thought about where the fish could be, takes energy. And then when the fish bites and the flag pops, there is that moment as you walk over to the hole and see the spool spinning and kneel before it, your fingers on the line, feeling, feeling, then setting with your wrists. The battle is fought with your hands. How old is that tradition? Then the fish’s head is at the hole and it comes through and flops onto the ice. The colors of the fish seem to bloom in defined contrast to the monochrome ice. The perch are vibrant, the bass, the trout. I also love how affordable it is, for all people, the opposite of trying to catch a grander marlin off the Great Barrier Reef or Kona. The fish are right there somewhere in the lake or pond, right there below our feet. Enjoy these photos. I took them early in the season this year, right when the black ice set up, ice so transparent you could see bottom. Clear and bitter cold, my blood felt both frozen and fully alive.
By Dave Anderson
Nighttime is my time. I love fishing at any time, but I feel the most at home in darkness. When color is removed from your field of view you perceive the landscape using different senses; on one hand your eyes begin to hone in on nuance, picking up the subtle color changes of a gentle rise on the surface or the dark stain of a recent break. The black expanse of a grove of pines is given depth when your hearing fills in the blanks. Hollows gape and echo in a light wind, pine needles soften while leaves hiss – almost ring – in the breeze. When you really tune in and your subconscious takes over you may find that your mind is practically on fire, processing sound, using sight only on an ‘as needed’ basis. It’s these times when your mind takes the wheel that it is easiest to believe that we only use a tiny fraction of our brain’s potential.
Winter is a tough season for the night angler—unless you target holdover striped bass exclusively or maybe, walleye. For those of us that hunt trout and freshwater bass, the hits become fewer and the chances of blowing that opportunity become much more likely—complacency comes easy in the third hitless hour with your fingers frozen in the positions of holding a rod and reel.
I covered a lot more ground than usual last night, more than I ever had in this particular pond and I only had one solid hit and two nudges to show for it. Maybe it was the fact that it was a Sunday night, after a weekend of increased fishing pressure, or maybe it was the cooling waters and threatening stare of the super moon foreshadowing the whiteness of the coming winter. A light wind rose from the west, I wished I had worn one more layer.
I turned around after covering, what Google Earth tells me was, almost exactly one mile of prime shoreline (it felt like twice that!) and began walking back toward the car. As I rounded a shallow bend in the shore I heard the low calls of a pair of owls in the trees. When you spend a lot of time outside in the quiet darkness you learn that owls all have a unique call, not to the species but to the individual. These two were keeping a good rhythm going one of them was low and somber, with drawn out annunciations, Hooo-Hooo-H-Hoo-Hoo, the other was playing for style points with a much faster and complex call, Hoo-H-H-H-Hooo-H-Hoo-Hoo. Each one replicated to a tee during each round, each one sung in a “woe-is-me” minor key.
My mind snapped to a conversation I had with my friend Keith’s wife, Lauren. She works for the Audubon Society and conducts regular owl walks for groups of bird enthusiasts. I could hear her voice in my head telling me that owls can be brought in by playing—or in some cases—vocally imitating their calls. She uses an iPod and speakers to broadcast actual recordings of owl calls and they come to investigate—almost—without exception. Since I had a captive audience that was, clearly, feeling the night vibe and comforting each other with the dialogue of mated pair. I cupped a hand to my mouth and did my best to throw my own vocal stylings into the mix.
The pair went silent. The light wind seemed to bend with their confusion as a deafening silence crossed the pond like a sudden gust of wind. Their calls cautiously resumed as I did my best to move quietly along the gravelly bank. I called again, they called back—in sequence. I called again and the first owl rushed to fill the space at the end of my phrase, the other followed. I took a few more steps and called out, again the space right at the end of my phrase was filled. It was starting to feel like a competition. For a split second I felt a flutter of nervous excitement blooming in my chest—an osprey once tried to attack me… in the dark I might never see them coming! I weighed the risks and called again—they called back quickly and, once again, in sequence.
This continued with intermittent steps until I could tell I was right below the second caller. Hidden by the blackness of a tall, gangly pine I heard the call. I don’t know why, but I assumed that this owl was the female—low and somber, not as brash and braggadocios as Mr. Style Points. She called, I called back and she took to the air, crossing the clouded corridor of the full moon as she flew, I watched the black dart, soar across the pond and settle into the treeline. I pulled my camera, knowing (hoping) that he would follow her—he didn’t. I called again. I heard the snap and rustle of the foliage as he dropped into an iron cross and glided slowly through the same lane, I snapped the best shot I could. His slow movement sent a message of warning as he surveyed the area before crossing the water to join his mate.
I could hear them consoling each other for the rest of the night, the rhythm and phrasing unchanged. Even after taking several casts on the way back, in some of the most productive spots in the pond, there was not a fish to be had. The owl encounter made my night. It’s the incidentals that make fishing what it is to me. I have already shared this story with my wife and daughter and I will tell it many more times in my life. If I had caught a fish, I would most likely forget that fish within a few years, but this owl encounter will stick with me forever.